Biography

Biography

Three-time GRAMMY-nominated trombonist-composer-arranger Alan Ferber has been called “one of the jazz world’s premier composers and arrangers for larger groups” by All About Jazz NY.  Jazz Times magazine describes Ferber’s compositions as “inspired and meticulous” and the L.A. Weekly deems him “one of the premier modern jazz arrangers of our time.”  For the last seven years, he has been recognized as one of the leading trombonists of his generation in Down Beat magazine’s International Critics’ Poll and Readers’ Poll.  Ferber was the recipient of a 2013 New Jazz Works grant from Chamber Music America, funded by the Doris Duke Foundation.  Since 2011, he has been an Adjunct Professor of jazz studies at New York University’s Steinhardt School

Ferber’s aesthetic prescribes a deep knowledge of the jazz tradition as a means toward meaningful innovation.  Appropriately, the Wall Street Journal describes his music as “somehow both old school and cutting edge.”  He has released eight albums as a bandleader, most recently, Jigsaw, for 17-piece big band (Sunnyside Records 2017).  Down Beat magazine listed it as one of the best CDs of 2017 and stated, “Ferber…demonstrates full mastery.  His big band belongs in the idiom’s current top tier.”  Jigsaw has also been nominated for a 2018 GRAMMY award for ‘Best Large Jazz Ensemble Album.’  Prior to Jigsaw, Ferber released “Roots & Transitions”  in 2016, an eight-movement original piece for his working nonet, from which his composition Flow was nominated for a 2017 GRAMMY award for ‘Best Instrumental Composition.’   Ferber’s 2013 release for his big band on the Sunnyside label,  March Sublime,  features original compositions and arrangements and was nominated for a 2014 GRAMMY award in the ‘Best Large Jazz Ensemble Album’ category.  Prior to that, Ferber released “Chamber Songs-Music For Nonet & Strings” (Sunnyside) which received a coveted 4 star review in Down Beat and was named one the magazine’s “Best CDs of the Year.”

Ferber’s music draws from a broad stylistic base informed by the array of artists with whom he has closely worked.  In the jazz world, he has performed and/or recorded with Best New Artist GRAMMY-winner Esperanza Spalding’s Radio Music Society, the Dr. Lonnie Smith Octet, the Ted Nash Big Band, Todd Sickafoose’s Tiny Resistors, MacArthur Fellow Miguel Zenon’s Identities Big Band, the Toshiko Akiyoshi Jazz Orchestra, the Charlie Hunter Quintet, Michael Formanek’s Ensemble Kolossus, the David Binney/Edward Simon Group, the Lee Konitz Nonet, John Ellis’s Double Wide, the Dafnis Prieto Big Band, the John Hollenbeck Large Ensemble, and Don Byron’s Mickey Katz Project

He has worked extensively in other genres as well with artists including Peter Gabriel (Live at the Ed Sullivan Theater), Paul Simon, Sufjan Stevens (Age of Adz & All Delighted People), The National (on Grammy-nominated Trouble Will Find Me), Dr. Dre, Harry Connick Jr, Michael Buble, and Beirut.  His discography lists over 150 CDs on which he has played trombone and/or composed and arranged music.    

Ferber’s accomplishments as a writer are equally diverse.  His recent work as a composer-arranger include ten 18-piece big band arrangements for Broadway star Shoshana Bean‘s new album, Spectrum; Two big band arrangements of Joni Mitchell compositions featuring vocalist Tutu Puoane with the Brussels Jazz Orchestra on their album, We Have A Dream. Two commissions ~ Kopi Luwak and Luteous Pangolin (Ben Monder) ~ written for the Atlantic Brass Quintet (and released on their 2014 album Crossover on Summit Records);  Big band arrangements of I Sing For You (Nancy King) and I Get Along Without You Very Well (Hoagy Carmichael), featuring GRAMMY-nominated violinist Sara Caswell and her sister, vocalist Rachel Caswell with the JazzMn Orchestra; Hyperballad (Bjork), arranged for the avant-classical music outfit Bang On A Can’s Asphalt Orchestra;  Farewell (Nelson Foltz) arranged for a recording with 8 trombones joined by acclaimed vocalist Rebecca Martin; nine arrangements for Korean Sony recording artist Youngjoo Song’s 2015 release, Reflectionnominated for Jazz Album of the Year at the 2015 Korean Music Awards; .

In addition to New York University, Ferber has also been on faculty at the John J Cali School of Music at Montclair State University, the Peabody Institute at Johns Hopkins University, and the New School for Jazz & Contemporary Music.  He has worked regularly on the faculties of several summer jazz programs including the Taipei International Summer Jazz Academy, the Stanford Jazz Workshop, the Lafayette Summer Music Jazz Workshop, Cal State University’s Summer Arts Perspectives In Jazz program, and the Maine Jazz Camp.  He has appeared as a clinician and soloist with numerous universities including Stanford University, the University of Oregon, Cal State Northridge, Kansas University, the University of Miami, the Lawrence Conservatory, Middle Tennessee State University, and the University of Nevada Las Vegas.

Alan Ferber Septet: Playground

Playground

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Ready or Not
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The Best Thing For You
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East Coast Love Affair
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Autobahn
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Yore
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Playground
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Remembered
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Orion’s Belt
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Kind Folk

Musicians:

Alan Ferber – trombone
Jerry Pinter – tenor saxophone
Matt Zebley – alto saxophone
Jamie Rosenn – guitar
Joe Bagg – piano
Christoph Luty – bass
Mark Ferber – drums

Recorded April 15 & 16, 2000 at Multi Media Music, Toluca Lake, CA
Engineer: Mark Vincent
Mixed & mastered at Spragueland Studios, Encinitas, CA
Engineer: Peter Sprague
Producer: Alan Ferber
Executive Producer: David House
Release date: 2001
Label: Jazz House Records

Alan Ferber • David Binney: In The Paint

In The Paint
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Growin’ Up
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In The Paint
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Everybody’s Wonderland
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Interlude
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Paris
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Edinburgh
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Ice Cave
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Interlude II
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La Taqueria
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Magnolia
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Lautir
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Interlude III
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Our Inventions

Musicians:

Alan Ferber – trombone
David Binney – alto saxophone
Peter Schlamb – vibraphone
John Escreet – piano
Thomas Morgan – bass
Gerald Cleaver – drums

Distributed By – Rhombus Records
Copyright (c) – Posi-Tone
Recorded At – Systems Two, Brooklyn, NY
Mixed At – Studio 507, Los Angeles, CA
Mastered At – Studio 507, Los Angeles, CA
Design – Escott Associates
Engineer [Assistant] – Max Ross
Engineer, Mixed By, Mastered By – Nick O’Toole
Producer – Marc Free
Producer [Associate] – Barry Shapiro (2)
Recorded February 2008

Description

Alto Sax sensation David Binney joins forces with Trombonist Alan Ferber on “In The Paint”. Turning each of their compositional talents toward the harmonious creation of a wide variety of entertaining ensemble performances the entire session is highlighted by a pleasant combination of melodicism and surprising improvisations. The program is delightfully engaging and prominently features the flowing rhythms of veteran drummer Gerald Cleaver, the inventive counterpoint of bassist Thomas Morgan, an interesting new discovery in Peter Schlamb on vibes, and the wide harmonic palette of the celebrated musical prodigy John Escreet on piano.

While all these players on the date have strong voices and are capable of delivering jump shots from the “out” side of jazz, this record ultimately scores points because of the productive and skillful team play of the entire ensemble as they interact with the melodies and harmonic structures of the compositions.

Binney/Ferber’s “In The Paint” is a musical slam dunk that is sure to please jazz fans everywhere, and a compositional tour de force for discerning listeners to enjoy time after time.